Bobur Alimkhodjaev – #LPinspiration

Meet a new hero of the #LPinspiration – Bobur Alimkhodjaev, a photographer from Tashkent. 

Bobur Alimkhodjaev – #LPinspiration

Bobur came into photography through mobilography, a passion to capture the unusual in ordinary things – the texture of trees, stones, cracked walls, the game of light and shadow, flatness, lines and rhythms – led to the fact that he started burning with an idea to take up photography on a professional level. In his graduate year of medical college, Bobur took painting lessons, dreaming of entering the Kamoliddin Behzod National Institute of Arts and Design.

“When I entered the Faculty of art photography, I realized that the ideal photographer is an artist, because he already knows the basics of fine arts, and he only needs to obtain the skills of using photographic equipment”.

Bobur Alimkhodjaev – #LPinspiration

Bobur Alimkhodjaev – #LPinspiration

Bobur Alimkhodjaev – #LPinspiration

For Bobur, photography is an opportunity to preserve a beautiful, fleeting moment that will never happen again. In photography, he is attracted by the opportunity to share with the audience the beauty and sophistication of the surrounding world, the aesthetics of his vision, or a special moment.

Bobur Alimkhodjaev – #LPinspiration

Bobur Alimkhodjaev – #LPinspiration

Bobur Alimkhodjaev – #LPinspiration

Bobur often experiments with camera angles and exposure. He describes his style as follows: “My style is constantly evolving and transforming, but it is focused more on the paintings of the Impressionists, where such elements as light, colour and movement are most important. I always try to convey in my pictures a feeling of purity, beauty, lightness and airiness. In general, it’s probably better to ask art critics about it. My main criterion for creativity is to create such photos that will speak for themselves, but not me for them.”

The inspiration for the photographer is painting – works of the Renaissance artists, Pre–Raphaelites and Impressionists; cinema – Pedro Almodovar, Francois Ozon, Woody Allen and Hayao Miyazaki; photography – Peter Lindbergh, Irwin Penn, Herb Ritz, Paolo Roversi, Sarah Moon, Richard Avedon, Herbert List, Henri Cartier-Bresson, Robert Doisneau, Vivian Mayer, Steve McCurry.

Bobur Alimkhodjaev – #LPinspiration

Bobur Alimkhodjaev – #LPinspiration

Bobur Alimkhodjaev – #LPinspiration

Bobur came to ballet photography through his graduation work, inspired by the beautiful works of the French painter, one of the most outstanding representatives of Impressionism, Edgar Degas, and Darren Aronofsky’s “Black Swan”. While working he accumulated a large number of pictures of performances, ballet classes and rehearsals, which Bobur had shot for a 2 year period at the State Academic Bolshoi Theater of Uzbekistan named after Alisher Navoiy. In 2016, Bobur graduated from the Institute, and in 2017 he held his first personal exhibition called “Ballet” in the Tashkent House of Photography. Thus, this theme has grown into one of the key directions in photographer’s work.

Bobur Alimkhodjaev – #LPinspiration

Bobur Alimkhodjaev – #LPinspiration

Bobur Alimkhodjaev – #LPinspiration

Bobur Alimkhodjaev – #LPinspiration

“For me ballet is primarily movement and music. In my works I try to convey this amazing and fleeting state, magical and enchanting beauty, subtle and soulful aesthetics of fine art, but at the same time, the hard work of people dedicated to their vocation. This greatest art form is the strongest source of inspiration for me. I love and respect every aspect of it”.

Bobur Alimkhodjaev – #LPinspiration

Original article Bobur Alimkhodjaev – #LPinspiration on La Personne.

This Festive Season we represent our project with Pandora, the main heroine of the special  is a ballerina Eleonora Sevenard.  

Timeless with Pandora

The jewels from the Timeless collection themselves gave us inspiration to create this project. The story, shot by Alisa Aslanova, was inspired not only by the dramatic theatre world, but also by the space.

Timeless with Pandora

The Pandora designers – Francesco Terzo and Filippo Ficarelli – searched for inspiration in the cosmic images: “The nocturnal starry sky is an ideal incarnation of dreams and magic, the moon and the stars themselves are the references to the Universe.

Timeless with Pandora

The space ornament garnishing a round Murano charm repeats in detail the real pictures of our galaxy.

 

Timeless with Pandora

Timeless with Pandora

The La Personne Team sends its warmest Season’s Greetings and wishes you a Merry Christmas and a Happy New Year! We wish you to be brave with your dreams, to believe in miracles, to set and reach the goals and, of course, to have faith in yourself!

Timeless with Pandora

Timeless with Pandora

Original article Timeless with Pandora on La Personne.

Every year the theatres invite young talented dancers, yesterday graduates, to join their ballet troupes. This season the Bolshoi Theatre has taken in its ranks Kirill Sokolovski – the graduate from Vaganova Ballet Academy. Kirill moved to Moscow not long ago, started his career in the Theatre and danced at the historic stage. In the interview Kirill told La Personne about his first impressions of new life, about model career and main priorities.

Kirill Sokolovski

Interview: Elizaveta Emelkina

Photo: Alisa Aslanova

Translator: Katarina Bornovitskaya

Kirill, how have you got into ballet?

For the company with a neighbour girl, we practiced dancing and step. When I was at the 4th grade, the representatives of Belorussian state choreographic college came to watch the children. To answer the question “who have ever practiced dancing?”- I raised my hand. I was called to the board, they looked at me and took my mother’s phone number. They called us almost immediately. I counted the time to reach the college from my home – 1.5 hour – and we together with my parents decided it was too long, we decided not to enter. They didn’t stop calling, even when the admission period was over. They called every day. Finally, we came to the additional admission in August, although I told I wouldn’t dance in body stockings, but my mother promised me a gift. And finally they took me.     

What did happen further?

Quietly, I studied in Belorussia, but learned more and more about Vaganova Academy. Step by step the desire to study there appeared. Once Vladimir Vasiliev came to us to stage the ballet Anyuta. I was performing Anyuta’s brothers. At the rehearsals Vladimir gave me advice to change the school. I tried and made a transfer at the 3d grade to St. Petersburg. My parents knew nothing while the transfer was confirmed.   

Kirill Sokolovski

You say “they have noticed me”. And what was your attitude towards ballet and dance? What hobby did you have in childhood?

Previously I didn’t want to dance. In my childhood I liked painting, I went to the art studio and demonstrated success – I took the prizes in junior competitions of Belorussia. I wanted to become an artist. 

Do you paint now?

Yes, I do paint a lot. The painting for me is a kind of relaxing. 

And what is the model business for you?

Mostly, a way to earn money. It’s not even a hobby. I was fully self-supporting at the Academy owing modeling. 

So, you didn’t get any pleasure?

Both, yes and no. After all, the artists are vain by their nature, we need attention and the model career gave me that attention. However, the world of fashion exits under its own rules and principles, it’s not that easy.  

Kirill Sokolovski

When have you got your first experience as a model?

I was fifteen, when Gosha Rubchinskiy wrote me on Instagram and invited for American magazine shooting. First, I agreed, then refused. I haven’t even known who is Gosha Rubchinskiy. After a year he invited me for British Vogue shooting. The shooting took place and after I met my agent Yulya Shavyrina, the director of Avant agency. 

Tell us please about the shooting with Patrick Demarchelier for Vogue Russia cover.

I was very lucky to work with Patrick, because half year after Conde Nast broke off the partnership with him. I was in Paris for the fashion week, when I was told that we will shoot the cover for Vogue Russia. That was my first modeling season, and I didn’t represent anything of myself. It was even harder to believe that I would get on the camera of Patrick Demarchelier. The joint work went easily. Very nice elderly man, like a grandpa, with a perfect sense of humour. I am very glad that I’ve got a chance to connect with such a personality.  

Kirill Sokolovski

You have changed three cities. Are you used to the changes?

It comes that I practically don’t see the city, because of spending all my time in the theatre. I have no time for anything else. 

Do you miss your family?

My parents and my three brothers live in Minsk, since entering the Academy I has been all at my own charge. I do not miss, and they know it very well. Of course, there are moments of nostalgia – on childhood, hometown courtyards, mother’s kitchen. But banally, there is no time to miss. The season has started, I need to work a lot and learn the repertoire. I was a lagging student, I have to pick up more. 

Kirill Sokolovski

Once in an interview you’ve told that your dream is to live and work in Moscow. Why? Usually, everyone in St. Petersburg dreams of Mariinsky Theatre. 

Yes, that’s true. The fact is that I have many relatives in Moscow, if to pick them up together there is no restaurant enough to place them. Since the 2d grade of the college I have been dreaming to work in the Bolshoi Theatre. I don’t know why… I’ve just wanted. Bolshoi is a dream that you are not able to touch, to work here, it’s like to appear at the Vogue’s cover. For this I’ve run over to Moscow. 

How have you managed to combine the model career with your study and how do you combine it with your work in the theatre?

I practiced modeling mostly during the summer vacations, or in Saturday after classes I took the plane and came back Monday morning. That schedule caused the study badly, in spite of the model business is not as labour intensive as ballet is. Of course, you are getting tired but not of physical work, but of monotony. Now I don’t take part in shootings. Nothing exists for me but the ballet.  

Do you have idols in ballet?

I am the fan of Sylvie Guillem. I have the rare archive video records with her that have been watched over thousand times. In the male dance I specially mark out Vladimir Vasiliev and Mikhail Baryshnikov. 

You’ve already had your debut performance at the Bolshoi stage. How have everything gone?

We danced the waltz for four in The Swan Lake. I had been preparing seriously and my partner helped me, I am very grateful to her. As a result, I made six performances at the Historic Stage!  

Tell, please, about creative plans for the future.

We are preparing different roles with my coach. The combinations for four and for two are in plans. A lot of work but I can’t put all the cards on the table yet.

Kirill Sokolovski

Original article Kirill Sokolovski on La Personne.

The Old New Year!

The Old New Year!

The Old New Year!

The Old New Year!

The Old New Year!

The Old New Year!

Photographer Анастасия Сеникова

Style Диана Клочко

MUAH Виктория Ахмазова

Looks: Alexandra KAZAKOVA, The9x, Boohoo

Jewelry: The9x, Monki 

Original article The Old New Year! on La Personne.

Starring amazing ballet dancers Zhanna Gubanova & Evgenii Zhukov Ballet.

 

Original article Christmas Tale on La Personne.

 

A Film by Alisa Aslanova

Producer Karina Zhitkova

Editor Katarina Bornovitskaya

 

Special thanks to The Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre.

Original article Who is She? – Trailer on La Personne.

 

A Film by Alisa Aslanova

Producer Karina Zhitkova

Editor Katarina Bornovitskaya

 

Special thanks to The Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre.

Original article Who is She? – Trailer on La Personne.

 

Video by Alisa Aslanova

LOOK – Nina Ricci

Style – Diana Klochko

MUAH – Olga Ivanova & Nadja Glebova

Special thanks to State Kremlin Palace.

Original article Nina Ricci & Kremlin Ballet on La Personne.

 

Video by Alisa Aslanova

LOOK – Nina Ricci

Style – Diana Klochko

MUAH – Olga Ivanova & Nadja Glebova

Special thanks to State Kremlin Palace.

Original article Nina Ricci & Kremlin Ballet on La Personne.